The Ode Less Travelled: Unlocking The Poet Within · Read more The Ode Less Travelled: Unlocking the Poet Within · Read more. The ode less travelled: unlocking the poet within. Home · The ode less travelled: unlocking the poet within Author: Fry Stephen. 14 downloads Views. Comedian and actor Stephen Fry?s witty and practical guide, now in paperback, gives the aspiring poet or student the tools and confidence to write and.
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The Ode Less Travelled: Unlocking the Poet Within [Stephen Fry] on site. com. *FREE* shipping on qualifying offers. Comedian and actor Stephen Fry?s. This books (The Ode Less Travelled: Unlocking the Poet Within the Poet Within [FREE] PDF files, Read Online The Ode Less Travelled. Read The Ode Less Travelled by Stephen Fry for free with a 30 day free trial. Read unlimited* books and audiobooks on the web, iPad, iPhone and Android.
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Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled , he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started.
Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics.
Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension.
Along the way, he introduces us to poets we? The Ode Less Travelled is not just the survey course you never took in college, it? Read more Read less.
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The Ode Less Travelled: Unlocking the Poet Within
These items are shipped from and sold by different sellers. Show details. download the selected items together This item: The Ode Less Travelled: Ships from and sold by site. Customers who bought this item also bought. Page 1 of 1 Start over Page 1 of 1. A Retelling of the Myths of Ancient Greece. Stephen Fry. A Poetry Handbook. Mary Oliver. George B Johnson. Sentence-Combining Workbook. Pam Altman. Review "While Mr. Read more.
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Top Reviews Most recent Top Reviews. There was a problem filtering reviews right now. Please try again later. Read it. Write poetry! Paperback Verified download. This is such a surprising book. I mean we all know that Fry is brilliant but who thought he could write perhaps the best college-level introduction to poetic form and effect? There are, yes, quite a few books about poetic form and effect but.
Fry is perhaps not well-served by his publisher. The current interior and cover, at least in the US edition, are basically just splitting the difference between a serious textbook and a trade book but the book, and Fry, and students would be much better served by a interior design that formalizes the hierarchies of information in the text and is professionally typeset by a designer who is used to dealing with complex instructional texts.
Oh, I'm sure it's a bit of a hard sell to say "textbook" in a meeting about a book by Fry but there's no reason a good designer can't deal with the information design and make the design modern and lively. The text is typeset perhaps slightly better than your average mid-list trade book but it is a complex text about, hello! Fry's overall presentation is undercut by the everyday sloppiness of the typesetting and the attempt to squeeze an instructional text into a simpler standard non-fiction trade text design.
Take a look at, say, a Princeton University Press title that covers similar ground and you'll see immediately that there are much better, more useful, ways of designing a book like Fry's. Likewise, thought a much easier problem to solve, the cover doesn't help position the book in the market. It's not a standard trade non-fiction book, it's a freaking genius and classic textbook that every college student should have at the ready.
The cover doesn't have to be dry and boring, it can be wild and lively but. This book could, and should, have a long, long tail. It's not half as dry as the Turco book on poetic form and it's not as detailed as the Miller Williams but I suspect it could have a larger, more enthusiastic audience than either of those books. The Fry might be hard sell in a publishing meeting but I suspect it's much, much easier sale at, say, a college English department meeting.
What adjunct English prof wouldn't leap at a chance to use a textbook that's a good excuse for watching a bunch of Youtube clips of Fry and Laurie? So, all of my complaints aside, this is a completely unexpected Five Star Book, easily the best available undergraduate introduction to poetic form and effect. download it. I am reasonably new to poetry, having only been reading and writing it extensively for a couple of years.
I've looked on-line for "how to write better poetry", which is well worth doing, however, Stephen Fry takes all the results from all the google searches and condenses it down into a superbly ordered and explained treatise on why he likes poetry and how poetry is written, analysed and discussed.
All of it told in an accessible, witty and fun way. Typical Fry. I have been hanging out with poets for years. I discuss their work, I discuss my own work, but we rarely, if ever, discuss meter. Most poets I know and talk to barely know what meter is If you had better, I envy you! Fry makes it front and centre. Poetry and meter are linked and understanding meter will make you a better poet.
I found how heavy it all is got exhausting and Fry exercises daunting and beyond me most of the time. Maybe I'm not a poet.
But being pigeon holed into writing in a certain style I don't fully grasp about a subject I'm not passionate about it not why I'd ever write poetry. Maybe I'll still use poetry as a form of self expression as I planned but now I feel like Fry and the poetry world will be frowning on me for not knowing the metre and style I am trying to emulate.
And I'll certainly still try reading more poetry even though I find my attention spam struggles with that sometimes too.
Like I said, it's almost certainly me What Fry writes himself is probably 2 stars for me, the extract of great poems were probably my favourite part and manage to bring it up to the 3. View 1 comment. Jul 18, Rebecca rated it it was amazing Recommends it for: English nerds. The only -- and I do mean the only -- negative thing I can say about this book is that Stephen Fry has taken the run-on sentence to pathological levels.
The occasional grammatical slip-up hardly warrants notice, but I swear that throughout all pages of this book, there was at least one run-on sentence per page. Someone preferably his editor? Other than that editing issue, this book was buckets of fun and superbly useful for anyone wh The only -- and I do mean the only -- negative thing I can say about this book is that Stephen Fry has taken the run-on sentence to pathological levels.
Other than that editing issue, this book was buckets of fun and superbly useful for anyone who used to know something about poetry but has forgotten it all, or for someone who never knew much about poetry but has always been curious about how it works. Fry introduces the reader to a variety of forms and styles that have been used throughout the ages and in various cultures, explaining their sometimes complicated rules clearly and humorously.
The exercises are fun and he offers a lot of solid, practical advice for readers wanting to try their own hand at poetry. This is the ideal book for former English majors or lit nerds the glossary alone is a valuable and amusing source of trivia and impressive terminology , aspiring poets, or anyone interested in what exactly poetry is all about.
View 2 comments. Nov 24, Katia N rated it really liked it. This is the book by Stephen Fry which is intended to help the reader to start writing poems. In my case, I wanted to understand better how the poetry in English actually works.
I love poetry. But I can count on the fingers of the one hand how many English poets I actually enjoy reading. So I wanted to find out a bit more about the poetic tradition in English.
And, I think, this book has actually helped a bit. It is a humorous, charming introduction into the formal prosody talking about metre, rhy This is the book by Stephen Fry which is intended to help the reader to start writing poems.
It is a humorous, charming introduction into the formal prosody talking about metre, rhyme, stansas and layouts. It explained why certain tools do not work in English language while the others do. It might be a bit too technical sometimes, but humorous as well: Fry illustrates the concepts with his poems specifically written for this.
Respectively, the poems are not very good, but very effective. Jul 24, Deb Readerbuzz Nance rated it it was amazing Shelves: Fry cleverly drags out the reading of this book by forcing the reader to take a vow to read all the poems aloud and to do all the exercises in the book.
I did well until I came to the next-to-last chapter of the book, a chapter on forms.
I admit it: I didn't do any of the exercises on writing pantoums and ballads and haiku. I fully intend to go back and do these at my leisure, but I felt a strong need to go ahead and finish the blooming book.
It does count, right? I don't think we have any requi Fry cleverly drags out the reading of this book by forcing the reader to take a vow to read all the poems aloud and to do all the exercises in the book.
I don't think we have any requirements about adhering to silly vows taken to a book, do we? Jan 27, Carrie rated it really liked it. Not, perhaps, quite so detailed as I would have liked. However, it is written with all the wit, clarity and charming-ness that one has come to expect of Mr Fry.
And it is beautifully presented. I particularly appreciated the use of a table to show the way in which a poem worked, its rhyme scheme folding in on itself like a collapsing umbrella. Anyone with a love of language. I loved this book. I think I loved it more because I listened to it rather than reading it. Fry's warm, plummy voice and his tonal variations - now chummy, now wry, now sentimental, now no-nonsense - add so much to the experience.
And the book itself is delightful. If you're a lover of words, of language particularly, though not necessarily exclusively, of the English language , then you will at least appreciate this book, and probably love it as much as I did, even if you never end up writing a I loved this book.
If you're a lover of words, of language particularly, though not necessarily exclusively, of the English language , then you will at least appreciate this book, and probably love it as much as I did, even if you never end up writing a poem as a result of reading it.
For that, of course, is Fry's main goal here: Not to publish them necessarily - this is not a 'How to Get Your Poetry Published' manual at all, at all. In fact, he himself points out that while he has written much poetry, it's all for his own pleasure - the pleasure of the creation, and of the subsequent enjoyment.
He hasn't published any of it. No, this is a different sort of How To text altogether, wherein Fry teaches the reader how to write poems.
You might think that this is something that anyone can do, and to a small degree, you'd be right.
But if you were to try it without what this book can teach you whether you get it from this book or not , you would be severely handicapped. It would be like trying to paint a picture without knowing anything about the wheel of colours, how paints mix, what kind of brushstrokes have what kind of effect, and so on. After a short apologia for why one would - and in his opinion, should - write poetry, and some preparatory remarks, Fry starts with the nuts and bolts of prosody which, by the way, is an example of the sort of term he introduces, smoothly and painlessly, throughout the book with the elements of meter: Before moving into how lines can be joined together, Fry detours into a discussion of the different kinds of rhyming yes, there are different kinds, from strict to none and everything in between.
From there, he comes back to form, but now in bigger chunks: A few of the forms, or at least their names, are familiar - sonnet, limerick, haiku - but they're all reviewed and illustrated with clever little self-referential versions that poetically describe themselves. Fry also provides opportunities for the listener or reader to practice techniques for themselves, with short exercises scattered throughout the book.
This, I feel, is the part that lends itself least well to the audiobook format, at least for me, because I was listening while I was commuting as I expect many people do and so wasn't really in a position to whip out a notebook and write down an example of iambic pentameter, or a rhyme for "girl". But even if you don't write down a thing, never end up writing a word of poetry, this book is totally worth the listen or read - just for the experience of understanding the sorts of things that can go into a poem, and help you appreciate why a particular poem - or really, even a set of song lyrics - works well for you or doesn't.
This may be the only book I've ever listened to that I'm planning to go back to. I enjoyed it - and enjoyed learning from it - that much.
He's come to read the metre
Highly, highly recommended! Jun 04, Becky Lowndes rated it it was amazing Shelves: I learned so much from this book, so entertainingly presented It was one of those books, like Nine Gates by Jane Hirshfield, that I could have turned around and just started reading again, immediately -- except, in the case of Nine Gates, my friend Tony, coffee shop owner and dead-ringer for Jimmy Stewart, had already, seeing me reading it in his restaurant, asked to borrow it.
Stephen Fry is surprisingly, to me -- for no good reason extremely literate and well-educated. Not only can he expla I learned so much from this book, so entertainingly presented Not only can he explain and illustrate all the fine points of poetic style -- he can also furnish examples that he has written himself!
May 23, Keerthi Purushothaman rated it it was amazing. The book on prosody I did not realise I needed. In the land of free verse, what weight does form hold? I liked his lines on how nobody would give someone a piano and ask them to "express themselves" by hitting random keys. You may not become a pianist, but you still have to learn the scales. Poetry becomes a fascinating hobby if one sticks to the rules. I can see why Raymond Quenaeau wrote 'Exercises in Style'.
Feb 21, Talbot Hook rated it really liked it. The following quotes fundamentally sum up both my disgust with modernity's flattening-out of beauty and practiced skill and our habit of simply telling people to express themselves, whatever the impetus, method, or output.
As Hitchens wittily quoted: Just imagine telling your students: Don't bother with meter and verses. Just express yourself The following quotes fundamentally sum up both my disgust with modernity's flattening-out of beauty and practiced skill and our habit of simply telling people to express themselves, whatever the impetus, method, or output. Just express yourself. Pour out your feelings. Suppose you had never played the piano in your life.
Don't worry, just lift the lid and express yourself. We have all heard children do just that and we have all wanted to treat them with great violence as a result. Yet this is the only instruction we are ever likely to get in the art of writing poetry. Or don't. You know. Sometimes rules are a beautiful thing.
And this book will teach them to you, and more besides. Jun 28, Faye rated it really liked it Shelves: I read this book thinking that if anyone could make me love poetry and want to write my own, that person was Stephen Fry. Sadly, that does not appear to have happened. I enjoyed the level of passion with which he wrote it, but then again, I can enjoy pretty much anything that's presented by someone with a great passion for whatever it is, even if I don't share that passion myself.
I tried some of the poetry exercises, and even found myself enjoying them. And after reading about all the different I read this book thinking that if anyone could make me love poetry and want to write my own, that person was Stephen Fry. And after reading about all the different kinds of poetry and what makes them tick, I feel I now understand poetry, and I won't have to sit there anymore in puzzlement wondering why this poem is considered so great when the rhythm is all wrong, or why this poem is a masterpiece even though some of the "rhymes" are way off base.
Quite often there is a name for these off-putting moments in poetry, and that makes it acceptable to the poetic community. These things I now understand. Here's where this book lost a star for me - there are only a VERY few poems I can read and enjoy - ones that have a firm rhythmic structure and stick to it, ones that have a point and tell a story without being about love or beauty or anything depressive or crude, and I have recently discovered ones that are "concrete" poetry - and they are apparently not the ones that Stephen Fry enjoys.
He would ramble on forever in glowing terms about poems or styles that I didn't think were all that, and then breeze over the forms that made sense to me with a dismissive wave of his hand, feeling that they lacked imagination or daring or were simply a waste of time.
Every time he would say something along the lines of "Some people may like this form," I felt like raising my hand. This happens to me so often in life that I'm getting rather used to it. In fact, I long ago began to believe that if my opinion was different from the usual, that meant I was doing something right.
So in a roundabout way, this book actually made me feel better about my taste or lack thereof in poetry. In a nutshell, I think this book does what it claims it will do, and I would heartily recommend it to anyone who wants to "unlock the poet within. And that's okay, too. May 23, Dane Cobain rated it it was ok. I personally found it supremely off-putting, not because of the information itself but because of the way that it was presented.
But here, that side of his personality is out in abundance. I mean, it tells you everything you need to know about different poetic forms and also the syllable counts, stresses and rhyming schemes that underlie these forms and make them work in the first place. I had no problem with the information itself because it was always correct as far as I could see.
The problem that I had was with the way in which the information was delivered. Personally, I prefer free verse poetry, but I used to like rhyming poetry as well. Dec 25, Alarie rated it it was amazing Shelves: First, I adore Stephen Fry.
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He had me from line one in the Foreword: I write poetry. He fills in a lot of history and background, giving samples from the masters. Page after page of reading sc First, I adore Stephen Fry. Page after page of reading scansion can be very, very dull. However, Fry also brings something to this topic that other style books lack - hilarity. I burst out laughing many times, especially during his self-deprecating moments.
Looks like a job for Negative Capability Brown
In fact, he keeps encouraging the reader not to be afraid to try the complex forms, saying you can surely do better than he did. My favorite sections of the book were the more general discussions on the essential of words, the strength of poetry, and his always strong opinions on the state of writing. He does NOT address how to write free verse. He prefers form, but feels that any poet should experiment and branch out of his comfort zone. Basically, he feels you should know the rules before you break them.
I even love his plea to readers not to send him their poetry. Jul 04, Robert Beveridge rated it really liked it Shelves: Unlocking the Poet Within Gotham, I think every poet at some point, no matter how much they've been raised on free verse, turns his or her attention to formal verse. Thus the enduring popularity of form dictionaries my personal favorite has always been Dacey and Jauss' Strong Measures.
After some general introductory chapters, Fry breaks a number of types of formal verse down and introduces us to each, with examples both from classic poets and from his own doggerel I suspect that Fry, who is far more accomplished than he lets on here, specifically wrote doggerel for inclusion here in order to make it all look a great deal easier. While the book is by no means exhaustive—I don't think I've ever run across a truly exhaustive form dictionary—it's a fine introduction to many of the most popular and enduring forms.
If you're a poet, even if you haven't discovered the lure of formal verse yet, it's well worth picking this up. You'll get there eventually. Feb 01, Pete daPixie rated it really liked it Shelves: I just can't remember touching poetry during my incarceration at school. If I was asked I'd have probably said that a villanelle was a female pickpocket.
Stephen Fry's book is a wonderful idiots guide through iambic pentameter, the trochee, spondee and all the twiddledy dees of meter and rhyme from Homer through to Zephaniah.
Mr Fry is a blast. If you are into poetry, then this book, I'm sure, will enrich your experience. If you hate poetry, then 'The Ode Less Travelled' is just what you need to I just can't remember touching poetry during my incarceration at school. If you hate poetry, then 'The Ode Less Travelled' is just what you need to introduce you into the magical world of stanzas, quatrains, ballads, odes, villanelles, sestinas, rondeaus, rondelets, limericks and sonnets.
It's a work book too, with exercises set at the end of each chapter to make sure the reader is paying attention. I casually picked this little gem up in the local library, and now I'm very tempted to aquire my own copy, to keep at hand, such is the wealth of information contained within.
May 13, Jim Razinha rated it it was amazing.
I try to get outside my comfort zone sometimes and I got this a couple of years ago to do just that but didn't get too far. I was told Then I found out that Stephen Fry read it himself for an audiobook. I'll listen to lecture series, but audiobooks are not my thing. Until this one. I read along with Mr. I loved his voice and he really made his words come alive. For a book on poetry, his prose was better th I try to get outside my comfort zone sometimes and I got this a couple of years ago to do just that but didn't get too far.
For a book on poetry, his prose was better than any poem I have ever read.
And he gets into such technicalities! He doesn't spend much time on "free verse", which is what I really need explained to me - rhymeless, meterless words are But that's my failing. I learned a lot apart from the entire subject, "ullage" is not a word I encounter in casual reading!
Hearing him read while I read along was eminently helpful. I don't intend to write anything as he suggests, beyond my sometimes witty and sometimes just groaning limericks, and I don't know how much I'll read, but I do think I'll return to this again.
Jan 07, Artemis rated it really liked it Shelves: I admit I never really cared for poetry. I still don't. Go look them up, you might be surprised.
Anything by him, I was bound to enjoy.
Unlocking the Poet Within' is his book on writing poetry - his revered hobby - and it is wonderfully engaging as well as educational, and humorous. It w I admit I never really cared for poetry. It was nice to read it years ago in university with Mr Fry's voice in my mind. His dry yet affable British wit shines through in his teachings about how poetry works, and in the examples he uses for demonstrations, both positive and negative. His personal touches are also effective in reminding the reader that the book was written by a real human being and not by some distant, disinterested English teacher tasked to go through a textbook.Cento, The Clerihew.
Poetry and meter are linked and understanding meter will make you a better poet. I mean we all know that Fry is brilliant but who thought he could write perhaps the best college-level introduction to poetic form and effect? Vote Are you sure you want to submit this vote? He quotes a line of Pope's which he says could almost be the motto for his book: 'True ease in writing comes from art, not chance. Log in.
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